angerSpeak when you are angry – and you’ll make the best speech you’ll ever regret. Laurence J. Peter I’m really busted up over this and I’m very, very sorry to those people in the audience, the blacks, the Hispanics, whites – everyone that was there that took the brunt of that anger and hate and rage and how it came through. I love each and every one of you but, like my own family, you thrill, you frustrate, you anger. With Stacy, it was interesting because you know he was within all this chaos, all these different lives that were so broken and so much anger and so much frustration and their skating came out of that, their different styles came out of that. Successful prime-time television of any genre produces some kind of emotional reaction in the viewers. There are a lot of different emotions to tap into. The emotion of the reward of discovery, the feeling of righteous anger, the feelings of pathos and sadness, or sentimentality of being moved by something. My hope is that out of all the anger and seeming hostility that we hear in some of today’s music will come some sort of coalition that will become politically involved. I use the music to vent, and a lot of the stuff that I am writing about or was writing about contained a lot of anger and anxiety, stress and depression, so that’s how the album came out so dark. I don’t think I could play a character that I couldn’t relate to somehow. I’m not unfamiliar with frustration, anger, shame, helplessness and a load of other emotions that make up our psycho-soup. I try to focus on that frustration, that sense of unfairness, and multiply it. My character had been in the chair for seven years. He had gone through his anger, depression, drug and alcohol abuse. He had gone through everything, now he was up, he was happy, he was filled with his dream. I realised one day that men are emotional cripples. We can’t express ourselves emotionally, we can only do it with anger and humour. Emotional stability and expression comes from women.
I’m really busted up over this and I’m very, very sorry to those people in the audience, the blacks, the Hispanics, whites – everyone that was there that took the brunt of that anger and hate and rage and how it came through.
With Stacy, it was interesting because you know he was within all this chaos, all these different lives that were so broken and so much anger and so much frustration and their skating came out of that, their different styles came out of that.
Successful prime-time television of any genre produces some kind of emotional reaction in the viewers. There are a lot of different emotions to tap into. The emotion of the reward of discovery, the feeling of righteous anger, the feelings of pathos and sadness, or sentimentality of being moved by something.
My hope is that out of all the anger and seeming hostility that we hear in some of today’s music will come some sort of coalition that will become politically involved.
I use the music to vent, and a lot of the stuff that I am writing about or was writing about contained a lot of anger and anxiety, stress and depression, so that’s how the album came out so dark.
I don’t think I could play a character that I couldn’t relate to somehow. I’m not unfamiliar with frustration, anger, shame, helplessness and a load of other emotions that make up our psycho-soup. I try to focus on that frustration, that sense of unfairness, and multiply it.
My character had been in the chair for seven years. He had gone through his anger, depression, drug and alcohol abuse. He had gone through everything, now he was up, he was happy, he was filled with his dream.
I realised one day that men are emotional cripples. We can’t express ourselves emotionally, we can only do it with anger and humour. Emotional stability and expression comes from women.